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Lisa Lichtenfels
Clara
2004 Fabric Sculpture
13.5 x 12 x 9
*SOLD*
Aboriginal women don't usually give out their real names, as the name
accesses the spirit, and harm can come to the woman whose name is known
and used. When missionaries started passing out European names, the women
accepted them gladly, because it meant they could then talk to each other
on a more familiar basis. Clara was herself bereft of her tribe, which
had come upon hard times, and she was taken in by neighbors, though on
a much lower status than she was used to. Here she sits on a memorial
stone of her own people, and remembers better years.
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Exquisite
technique coupled with artistic vision defines our user-friendly
presentation of figurative fine art paintings, sculptures and original
graphics. Contemporary symbolism at its apex in the traditions of
Bosch, the Italian Renaissance, Art Deco, Art Nouveau, the Viennese
and German Secession and the symbolist movements with an edge of
surrealism.
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