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Leonor Fini
Oil Paintings
1931 - 1987

1972

Dithyrambe: an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility…is one of a series of Sphinx
paintings, oil on paper on canvas, 30” x 21.25”, that are iconic in Fini’s
oeuvre.

The vibrant orange backgrounds for Fini’s mythical alter-egos evoke the fire that often surrounds the hybrid creature. Adorned in beautiful Art Nouveau jewelry, the normally frightening demeanor of the Sphinx is transmuted into what could be mistaken for a benign, desirable figure.

A sphinx from this series was my first introduction to Fini’s work. It holds a fascination for me that is inexplicable. Fini was first engaged by the sphinx image in Trieste where she saw a monumental one in stone that sits on a jetty at Miramar, the castle where the Emperor Maximillian III and Carlotta lived before they went to Mexico.

I once gave Leonor a photo-book comprised of many images of sphinx
that I discovered in my travels. She kept it by her bed and mentioned it
almost every time we saw each other. One could say that the sphinx was
the seminal tie between us.

1975

The child’s eyes are the first thing one sees in La Chamber d’echo, oil on canvas, 35.5” x 46”. The figure trying to
ascertain the message of the woman on her right is obviously disconcerted by the intensity of the child’s gaze.
Fini saw children as small tyrants who demanded the attention of everyone around them. They took the spotlight off of
her and as such were not, for the most part, allowed in her domain.



CFM Gallery
Exquisite technique coupled with artistic vision defines our user-friendly presentation of figurative fine art paintings, sculptures and original graphics. Contemporary symbolism at its apex in the traditions of Bosch, the Italian Renaissance, Art Deco, Art Nouveau, the Viennese and German Secession and the symbolist movements with an edge of surrealism.